Perception
Typography, visual language, sound, senses and how communication is experienced.
Interactive installation / Exhibition concept
For the UE Berlin graduation exhibition, I proposed a spatial "moodboard" concept and built a real-time generative installation in TouchDesigner and Blender. The other projects shown belonged to the participating students.
Treat a diverse graduation show as a "moodboard in space" — let very different projects coexist while still guiding visitors through them.
A real-time, generative visual system built in TouchDesigner with Blender 3D content — designed to run live, not play back.
A collective exhibition. The framework and the generative visuals are mine; the documentation photos show many authors' work, clearly credited.
01 / Overview
Setting
A collective Art & Design graduation exhibition in Berlin.
Material
Typography, images, sound, installations, objects and interactive work.
Constraint
Create orientation without forcing every project into one aesthetic theme.
02 / Concept
A moodboard brings together references that can look unrelated individually but create connections when viewed together. The proposal translated that principle into the exhibition layout, celebrating differences while giving visitors a shared direction through the space.
03 / Spatial framework
Three rooms were framed as Perception, Experimentation and Reflection. The corridor became a Connection and Transition space for independent projects, posters and informal discovery around the social area.
04 / The installation I built
Inside the Experimentation room I ran a real-time system in TouchDesigner, fed with Blender 3D content — generative motion computed live rather than rendered to a video file. It is the piece here that is unmistakably mine, and the strongest motion and real-time craft on the site.
05 / Reflection
The framework offered a way to guide visitors without reducing diverse work to one theme. These photographs document the collective exhibition environment; they do not imply authorship of every visible artwork.
Typography, visual language, sound, senses and how communication is experienced.
Playful, interactive, technological and hybrid approaches to communication.
Projects addressing culture, society, identity and critical perspectives.
A transition space for independent work, posters and informal discovery and exchange.
Real-time output
The moving studies show the visual system as an active part of the installation, separate from the collective exhibition documentation below.
Exhibition documentation



Documentation note
These photographs document the shared graduation exhibition. Visible projects belong to their respective authors. This case therefore focuses on the exhibition framework, atmosphere and collective context rather than presenting every visible work as my own.
Interested in interactive, spatial or multidisciplinary design work?
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